李斯特匈牙利狂想曲的鍵盤語言是在傳統鍵盤技術的基礎上,借鑒其他樂器演奏方式以及匈牙利吉卜賽民間音樂的影響,結合作曲家本身超凡的鋼琴演奏以及創造能力,不斷探索,形成了一套具有李斯特特色的鍵盤語言及其表現手段。 如果做拍節式的、數學式的演奏，會發現時常有不對勁的感覺。每一個作品都是洋溢新鮮感與魅力的傑作。
李斯特作為黑格爾美學思想的擁護者與實踐者,認為來自於音樂之外的某種因素制約著音樂的法則與規律,音樂應該體現著某些外界的客觀實在,強調音樂內容的重要性,他甚至在評論中明確指出:“藝術中的形式是放置內容的容器,是思想到外殼、靈魂的軀體”。具體體現在音樂與匈牙利民族的聯繫中,如(牙利狂想曲)。
Liszt Hungarian Rhapsodies' keyboard language is based on the traditional keyboard technology, learn s from other musical instruments and the implications Hungarian gypsy folk music, combined with the composer's own piano skills and extraordinary creativity, continuing to explore the formation of a Liszt keyboard language and its characteristic means of expression. If you do tempo and equation's performance, you will find that there is often wrong feeling. Each work is a masterpiece filled with freshness and charm.
Liszt, as Hegel's Aesthetics advocates and practitioners,considered that some factors outside restrict the law and regular of the music, the music should reflect some objective reality outside, emphasizing the importance of music content . He even explicitly stated in the comments: "Art in the form of the content of the container is placed, is thought to housing, a soul." Embodied the ties in the music and the Hungarian national , such as " Hungarian Rhapsodies " .
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