Sarah Chang plays Sibelius Violin Concerto in D minor (full)

Repeated  listening to Sibelius violin concerto works No. 47, the heart appears to be triggered moved deeper  and thicker. I heard not only that kind of Tchaikovsky's national vicissitudes' beauty, not just Beethoven's virtuoso style of performance, not even Brahms' harmonies strong conversion, or Prokofiev's Orchestra concerto's exaggeration, but there is some kind of Northern aloof connotation,that has expressed skillful blend between solo and concerto in a solid compact structure, meanwhile it is a masterpiece that dared to challenge the traditional famous music

重複聽著西貝流士作品編號47的小提琴協奏曲，內心被觸發的感動似乎是愈深愈濃。聽到的不只是柴可夫斯基的那種民族滄桑美，也不只是貝多芬式的炫技化表現，更不只是布拉姆斯的和聲強烈轉換，或是浦羅高菲夫將管弦樂協奏誇張化，而是一種擁有北國孤傲的內涵，在緊密紮實的結構下發揮獨奏與協奏間純熟的交融，同時向傳統曲式大膽挑戰的傑作。